I watched the opener of Jackie Malton’s latest series last night and thought it was a particularly sensitive and interesting episode.
The case was the heartbreaking kidnap of Muriel McKay from her home in Wimbledon in 1969. It was extraordinary for several reasons.
Muriel was the wife of Alick McKay, a newspaper executive and right-hand man of Rupert Murdoch. In 1969 Murdoch had just begun his move into expanding his newspaper interests into Britain from Australia, having recently bought the News of the World and The Sun.
The bungling kidnappers thought they were abducting Murdoch’s wife, Anna, rather than Muriel McKay, but still demanded £1million in ransom despite their blunder.
Dark Son: The Hunt for a Serial Killer is now available to view on BBC iPlayer.
I have been talking about this documentary for a while now. It was almost a year ago that I got involved with filming some sequences for this re-examination of the unsolved Hammersmith Nude Murders.
My involvement was sought because of findings in my book The Hunt for the 60s Ripper. This employed some modern policing theories to understand why Scotland Yard’s biggest ever manhunt failed to unmask the killer of six women in London in 1964-65.
I consulted Dr Kim Rossmo, one of the world’s leading geographic profilers. He produced an analysis and map for my book that revealed two areas of west London where the killer was probably based.
Harold Jones lived in the middle of the murder area
It is this data that is used in Dark Son. One of the problems the original investigation had was that it was thinly spread over 24 square miles of London.
The geo-profile would have allowed detectives to focus resources on two hotspots around Hammersmith and Notting Hill. Had they done so they would have crossed paths with Harry Stevens.
This man, living in Aldensley Road, Hammersmith, never featured in the original investigation. As Dark Son explains brilliantly, Stevens was actually Harold Jones, a murderer of two children in his youth in 1921.
Last Tuesday saw the conclusion of evidence being presented and filmed for Dark Son, the forthcoming BBC documentary about 1960s serial killer Jack the Stripper.
It a was a big day’s filming: for me 12 hours long, but for the Monster Films’ team much longer.
I was interviewed in the morning and was later on hand for a long session of afternoon-evening filming. Fascinating research from contributors, former police officers and others was explored.
It was a brilliant day. It was also a treat to be again working alongside criminologist Prof David Wilson and ex-detective Jackie Malton. David Howard (director) and Rik Hall (producer) from Monster ran the production calmly and superbly.
The venue was the Ebenezer Baptist Church Centre in Abertillery, Wales. The significance of the setting will become clear when the film is aired.
It has been in production throughout this year. I was initially involved for a chilly day’s filming in February on the Thames (two victims were found on the river foreshore).
From magazine feature to book to TV
I could not imagine how all this would unfold when I signed a contract to write The Hunt for the 60s’ Ripper in October 2016 (Mirror Books). The idea grew out of a feature I proposed for a true-crime magazine that Mirror Syndication were developing.
My argument was that the case – and victims – were largely forgotten today and it should be reviewed and remembered.
The magazine was eventually shelved, but I was able to develop the research I had for the article into a book. Following its publication, my research sparked further new findings about the unsolved 1960s murders of six women in west London.
The documentary team assembled high-quality experts to delve further into the case. I can’t talk about the film’s content, but anyone who thinks they know everything there is to know about the case should think again.